“THIS LIFE IS”
2006
An Immersive Installation Interweaving Sound, Sculpture, Food and Mythology
Cut from the remains of a home renovation, fifteen life-sized children, painted on and cut from reclaimed door panels are staged throughout the museum in various tableaus of play. The viewer walks through the installation as if they were in a life-sized pop up book.
One group playing tag, another child watching the others play, cradling a broken arm. This work explores the origins of meaning, perceptions of innocence and concepts of ritual and tradition. Pulling from Sorne’s Swedish ancestry, the children are clothed in Scandinavian May Day clothing, celebrating the coming of Spring.
At each station of children, traditional Smorgasbord food items made by Sorne are available for the viewer to collect on a plate given to them at the beginning of the exhibition.
Each child’s clothing depicts a cryptic set of symbols, a language created by Sorne that can be translated by the viewer or left to remain enigmatic, the mystery evoking wonder.
The installation culminates in a final tableau of six Maypole dancers, pantomiming the Maypole dance in the ruins of a temple, within which, a photo realistic painting of a Nazi Youth Soldier hangs in the background. The painting is a reference to the iconic photo by August Sander whose own son died in a concentration camp for protesting against the Nazi party.
Emanating from the final tableau is a layered vocal composition by Sorne, playing as a loop, wordless and polyphonic.
This installation went on to receive critical acclaim and won best in show at the Museum of Fine Arts at Florida State University.
Selected Images of “This Life Is”
2006, FSU Museum of Fine Arts
This work explores a disconnectedness to cultural roots. The multimedia layers of this installation present the innate desire to imbue all things with potential, a name, an origin story as an instinctive behavior. The work seeks to raise questions and provoke the viewer to contemplate their relationship with ritual, with ignorance as bliss.
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Narrative is a central theme in all of my work.
I am interested in creating new personal mythology, pulling from the narratives of the past while being present in the art of cultivating a rich future. The intention is to inspire all people to develop their own rich worlds digging deeper every day to live in a constant state of awe and intention.
This work explores a disconnectedness to cultural roots. The multimedia layers of this installation present the innate desire to imbue all things with potential, a name, an origin story as an instinctive behavior. The work seeks to raise questions and provoke the viewer to contemplate their relationship with ritual, with ignorance as bliss.
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“He who has a why to live can bear almost any how.”
Friedrich Nietzsche
In the search for my why, or rather the need that compelled me as an artist, I thought back to what inspired awe and joy in my being as a child. I found a tape of me singing and making rhythms with my hands at the age of two and recalled how I would draw life-sized companions on notebook paper taped together to form the figure and carry them around with me, sitting the cutout companion next to me at the dinner table. They had their own stories, they served as a container of meaning and memory.
And so, this was the motivation for me with this installation. Art works serving as containers of memory, each holding its own story. Each figure, a container of consciousness.
I was inspired by the raw visions of world builders like W.C. Rice, Jim Roche, Chief Rolling Mountain Thunder, Minnie Evans and Calvin Black.
Those who tirelessly built up their own mythology as a means of coping with loss, working through trauma and endlessly releasing their creative instincts and lived experience into their works by and for themselves.